about

I find working in digital preservation fascinating.

It’s not where I expected to end up. I started off interested in computing and science, and happened to find out about what was then a fairly young MPhys degree in Computation Physics offered by the University of York¹. I then did a Ph.D. in Computational Physics at Edinburgh University, working in statistical physics. After that, I spent my time oscillating between being a post-graduate researcher who used large-scale computational methods, and being a computational specialist who helped other scientists make use of those kinds of techniques.

I’d decided to move away from research and get a ’normal’ industry programmer job, so when we moved to Leeds I applied for a few different positions. One of them turned out to be for the PLANETS Project, based at the British Library. I liked the place and the people, and the work sounded interesting, allowing me to expand my previous experience (not just in computation, but also the information theory that underlies statistical physics) to a new field. And Industry was spared my woolly ways.

I spent a happy few years working on the PLANETS Project and helping kick-off the follow-on SCAPE Project. I saw ‘Significant Properties’ peak, only to be fatally wounded shortly afterwards, learned that DSHR is usually right, found that it’s fun to mash bits, and that keeping the bits safe ain’t as easy as I thought (even with these folks around).

But I also grew frustrated with working on digital preservation in the abstract. The research work was fun and challenging, but the gap between that and helping these old institutions navigate the digital turn seemed too vast. This same schism seemed to cause tension within the digital preservation community, for example during iPres conferences, where I’d hear completely opposite ideas as to what the conference was really for. One group, more academic in composition, was drawn to the ‘big picture’ of very long time-scales, worst-cases, and grand solutions. Another group featured a higher concentration of individuals caring for digital collections that needed better preservation now, and needed to share research results and best practices about what they should be doing.

I felt like I’d spent too much time on the ‘grand solutions’ side of things, and so when the role of technical lead for the UK Web Archive came up I, leapt at the chance. Being responsible for the actual digital preservation of a large, complex collection of national importance would surely help focus the mind? Indeed it did.

So now the journey back to digital preservation in general begins. I am now the Preservation Registries Technical Architect at the Digital Preservation Coalition (DPC), working on a project called “Building registries of digital preservation good practice”. Through this project and the DPC, I’m hoping I can generalise what I’ve learned and use it to help the wider digital preservation community.

To this end, I’m going to try to use this site as a way of communicating the things I think I’ve learned over the years, in the hope that others find it useful. Or at least interestingly wrong.